The Viking god Odin has evolved from the Germanic god Wodan. Odin is a central figure in Germanic and Old Norse paganism. He appears in many mythological stories and folklore, such as the Wild Hunt. He was the chief god of the Vikings, and much of their visual art and writings reference Odin. In this blog, we delve into his story and discover that not everything about this god is as it seems.
The story of Odin is complex. He is by far the most studied god from the Germanic and Old Norse pantheon, and many of his characteristics are the subject of scholarly debate. In this blog, we aim to mention as much as possible about this god to form the most accurate picture of this popular deity.
Odin or Wodan
While Wodan and Odin are fundamentally the same god, there are some differences. Gods reflect the culture and the time period in which they are worshiped. As a result, over the centuries, Wodan and Odin are essentially the same god, but not identical. In this blog, we use the name Wodan when referring to the Germanic god and Odin when viewing him from an Old Norse perspective.
Why do we know that Odin evolved from Wodan and not the other way around? This has to do with linguistics. In Old Norse, the ‘w’ before the letter ‘u’ disappears; for example, the Germanic word wulf (wolf) becomes ulf in Old Norse. Similarly, Wodan became Odan and later Odin.
The Story of Odin
Most information about Odin comes from Old Norse stories. In Old English texts, Wodan is often described as an ancestral figure playing a significant role in the genealogies of royal houses. Additionally, he appears in the traditions of other Germanic peoples, such as the Lombards.
Odin plays a complex and multifaceted role. He is the god of wisdom, famously sacrificing one of his eyes to gain knowledge. He is the patron of poetry and the master of runes.
He is also a god of death, gathering souls for Valhalla. He oversees the transition to the afterlife and leads the Wild Hunt. With his army of the dead, he roams the land between Álfablót and Yule to restore cosmic order. This allows light to return after Yule and the earth to become fertile once again. Dogs (wolves) and ravens, both associated with Odin, symbolize death and the journey between worlds.
His connection to war and battle is evident in the berserkers and úlfheðnar, warriors said to be inspired by him. In some studies, he is also identified as a god of wind.
Odin is the son of Borr and Bestla and the brother of Vili and Vé. He is married to the goddess Frigg. He fathers several sons, the most famous being Thor and Baldr.
Odin is often depicted as a one-eyed figure with a long beard, armed with the spear Gungnir and dressed in a cloak and wide-brimmed hat. He is accompanied by the wolves Geri and Freki and the ravens Huginn and Muninn, who provide him with information. His eight-legged horse, Sleipnir, carries him through the skies and to the underworld. Odin has an insatiable thirst for knowledge, demonstrated by his quest for the mead of poetry. He also plays a crucial role in the creation of the world, bringing the first humans (Ask and Embla) to life, and sharing knowledge of runic writing and poetry. His connection to the Wild Hunt and Yule celebrations highlights his importance in seasonal rituals.
Another significant association of Odin is with the Valkyries, the divine warrior maidens, and Valhalla, where he receives fallen warriors (the Einherjar). At the same time, he is linked to Freyja, who welcomes the other half of the fallen warriors into her realm, Fólkvangr.
Odin consults the head of Mímir, which grants him wisdom and warns him of Ragnarök. During this apocalyptic event, he will fight the wolf Fenrir, who will ultimately devour him.
Old Norse Sources
Creator of Humankind
Odin, Hœnir, and Lóður discover the first humans, Ask and Embla. The first humans are almost helpless, so the three gods give them their soul, intelligence, and blood. According to the Prose Edda, it is the brothers Vili, Vé, and Odin who find the humans on a beach; they grant Ask and Embla the breath of life, movement and intelligence, form, speech, hearing, and sight.
In both versions of the story, Odin is portrayed as a creator and giver of life.
God of Wisdom and Self-Sacrifice
Odin has an insatiable thirst for wisdom. He sacrifices one of his eyes to drink from Mimir's well and gain greater knowledge. For this reason, he is often depicted with only one eye. This is a unique characteristic of Odin, as Wodan is usually shown with both eyes intact.
Odin also seeks to uncover the secret of the runes. To prove himself worthy of possessing this magical knowledge, he pierces himself with his spear and hangs himself from a tree (likely Yggdrasil). He sacrifices himself to himself, hanging there for nine days and nights until the runes are revealed to him.
These stories establish Odin as an archetype of self-sacrifice and a god of knowledge. Odin is not the only Norse god to suffer injury. Fenrir bites off Tyr’s hand (not Freyr’s) during Ragnarök, and Baldr dies as part of the same apocalyptic event.
On one hand, this demonstrates that gods are not omnipotent; they, too, are subject to suffering and loss. On the other hand, it symbolizes self-sacrifice. One must be willing to sacrifice oneself to prevent Ragnarök (total chaos). Gods and humans may perish, but their heroic deeds and poetry endure forever. Achieving great goals often comes with pain and sacrifice.
God of War
During the war between the Æsir and the Vanir, Odin throws the first spear. This act makes him not only a god of war but also the very source of conflict. This duality reinforces his role as a double-edged sword: embodying both wisdom and destruction.
Ragnarök
During Ragnarök, the mythical end of times, Odin is killed by the wolf Fenrir. This event symbolizes both the end of a cosmic cycle and the inevitability of renewal, as his son Víðarr takes on the role of vengeance and rebirth.
Cosmic Ruler
Odin sits on Hlidskjálf, the throne from which he observes all the worlds, positioning him as omniscient and omnipotent within the mythology. His role as the progenitor of both gods and kings ties him to the origins and structure of the cosmos.
Seiðr and Shamanistic Practices
Odin is regarded as the master of seiðr, a form of Old Norse magic typically practiced by women and considered degrading for men to engage in. This taboo may not have applied to Odin, possibly due to the wisdom he gained from drinking from Mimir’s well.
Seiðr may have had shamanistic origins. Odin is often associated with shamanistic, ecstatic, and magical practices. The German mythologist Jan de Vries compares Odin to other gods capable of entering ecstatic states, such as Rudra in Vedic tradition and Hermes in Greek mythology.
These gods are seen as intermediaries between the human world and other dimensions, highlighting the versatility of Odin’s role.
It is possible that the shamanistic rituals surrounding Odin were influenced by the Sámi, with whom the Vikings coexisted in Scandinavia. Odin’s more pronounced shamanistic traits compared to Wodan strengthen this hypothesis.
Roman Mention of Wodan
The earliest descriptions of Germanic peoples were recorded by Roman authors. In these accounts, Wodan (Wotanaz) is often identified with the Roman god Mercury through the process of interpretatio romana, where the Romans associated non-Roman gods with their Roman counterparts based on perceived similarities.
A key example is found in Tacitus’ Germania (1st century AD), where he describes how the Suebi (a Germanic confederation) venerated "Mercury" as their chief god. Tacitus notes that they offered both human and other sacrifices to him on specific days, while Hercules and Mars were appeased with animal sacrifices. In this context, Tacitus equates Odin with Mercury, Thor with Hercules, and Týr with Mars. The deity "Isis" mentioned by Tacitus is sometimes interpreted as a reference to Freyja.
Both Wodan and Mercury are known as practitioners of magic. Around the time Tacitus wrote about Wodan, he was already associated with ravens, much like Mercury. An inscription in Bornheim-Heimerich refers to Mercurius Hremnoni ("Mercury Raven"). Additionally, the name for Wednesday, Wodan’s day, is paralleled in other languages as Mercury’s day (e.g., mercredi in French).
Historian Anthony Birley suggests that the connection between Wodan and Mercury is less about Mercury's role as a messenger of the gods and more about their shared function as psychopomps (guides of souls to the afterlife). Other potential similarities, such as carrying a staff and wearing a hat, their roles as wandering gods, and associations with trade, may have contributed to this identification. However, their positions within their respective religious hierarchies were likely different.
Interestingly, Tacitus’ claim that the Suebi worshipped Mercury as their primary god mirrors an earlier observation by Julius Caesar in Commentarii de Bello Gallico (1st century BC), where he said the same about the Gauls, not the Germanic peoples. This was possibly because a Gallic god was also accompanied by a raven, rather than because the functions of the god matched those of Mercury.
The question of whether Wodan was worshipped by the Goths remains controversial. Scholars like Richard North and Herwig Wolfram argue that the Goths did not venerate Wodan. Wolfram points to the use of Greek weekdays in Gothic as evidence against a Wodan cult. An alternative interpretation of the inscription gutaniowi hailag on the Gothic Ring of Pietroassa suggests a potential reference to "Wodan-Jupiter," but this reading is highly disputed.
The origins and role of Odin in Norse mythology have been the subject of extensive scholarly debate, with various approaches taken to understand his place in Scandinavian religion and culture. Historically, discussions about Odin’s origins are intertwined with broader theories about the introduction of Indo-European gods into Northern Europe and the influence of other cultures.
Wodan in Old English Texts
Although the Anglo-Saxons converted to Christianity by the end of the 7th century, Wodan remained a prominent figure in their foundational myths. He plays an important role in various Old English works and traditions.
Nine Herbs Charm
In this Old English text, Woden defeats a serpent using nine "glorious twigs." This poem, preserved in an 11th-century manuscript, contains imagery that some scholars argue parallels Norse mythology, such as Odin's sacrifice to Yggdrasil to gain wisdom. The text highlights Woden's role as a healer and magician.
Maxims I
Woden is explicitly mentioned in the line Woden worhte weos ("Woden made idols"), where he is contrasted with the Christian God. This reflects the transition from pagan to Christian beliefs.
The Old English Rune Poem
The Old English Rune Poem contains explanations of the 29 Anglo-Saxon runes. The rune Ōs is explained as "god" or "divine inspiration." Since Christian influence is evident in the poem, some scholars consider that it may have been censored. The association of language and wisdom with a divine figure could refer to Woden.
Solomon and Saturn
The prose text Solomon and Saturn is a question-and-answer text, primarily about Christian topics. In one of the riddles, "Mercurius the Giant" is mentioned as the inventor of letters. This is presumed to be Woden. In Christian texts, old gods are often depicted as giants, and in the interpretatio romana, Woden is equated with Mercury.
Old English Genealogies
Many royal genealogies trace their lineage back to Woden, such as those of Wessex and Northumbria. These genealogies combine pagan and Christian traditions, incorporating Woden into a Biblical context via figures like Noah.
Origo Gentis Langobardorum
According to the Origo Gentis Langobardorum ("Origin of the Langobard People"), Woden (referred to as Godan) granted victory to the Winnili by having their women appear with beard-like hairstyles. This illustrates his influence across all Germanic peoples.
Pagan Incantations
The Second Merseburg Charm depicts Woden as a healer, with him and other deities being invoked to heal a horse. This highlights his prominent role in the folk religion of Germanic communities.
In the Old Saxon baptismal vow, Woden is mentioned as a demonic figure who had to be renounced upon conversion to Christianity, along with Saxnot and Thor.
Odin in Old Norse Chronicles
Adam of Bremen
The Christian chronicler Adam of Bremen describes Odin in the 11th century as a god of war, characterized by his spear and military nature, and compares him to Mars. This shows how the figure of Odin was early on interpreted by outsiders and associated with classical pagan traditions, such as those of the Roman gods.
Bryggen Inscriptions (12th Century)
These inscriptions show that Odin (along with Thor) was still invoked even after the Christianization of Scandinavia. This points to the strong survival of the old god cult in the daily lives of ordinary people.
Folk Tales and Survival
In later folk tales, Odin endures as a mysterious traveler or supernatural figure. The concept of "Odin's Hunt" (the Wild Hunt), in which Odin rides through the night sky, ties him to themes of battling chaos but also governing the boundary between the visible and invisible realms.
Odin’s Nicknames
Odin is known by hundreds of nicknames. These names give insight into how this Germanic god was perceived. The list below is not exhaustive, but it provides an impression of how Odin was approached:
Father of Mankind, Man-Gautr, Awfather, Joy of Frigg, The One with the Eagle Head, Lord of the Aesir, Assailant, Friend of Wealth, Enemy of the Wolf, Balder’s Father, The One with Fiery Eyes, The One with the Painted Shield, The Blind, Promoter of Battlefields, Evildoer, Son of Bor, Commander, Lord, Brother of Vili, The Brown, Heir of Bor, Altered Version of Biflindi, Spear Bearer, Lord of the Undead, Lord of Spirits, The Eternal Thunder, Dweller in Frigg’s Embrace, Travel Supporter, God of Burdens, Burden of the Gallows, The Catcher, The One Who Leads Fallen Heroes to Valhall, Mighty God, Mighty Thuler, Powerful Speaker, Powerful Wise One, Shapeshifting God, The One Who Knows Much, The Very Wise, Heathen Ǫlvir, The One Who Rides Away, The One Who Is Found, The One Who Counters Advice, The One Weary from Walking, God of Gautland, Gotlander, Spear Charger, Spear God, Spear Master, The Gory, The Blind Guest, Trickster, Quick in Deceit, Swift Deceiver, Wise in Magical Spells, Goði of the Raven Sacrifice, God Protector, Shrieker, King of Hliðskjalf, Concealed, Masked, Mask, Battlefield Blinder, Skilled Worker, Lord of the Hanged, God of the Hanged, The Hanged One, Commander of Leaders, God of Prisoners, Teacher of the Gods, Grey Beard, High One, Highest One, Hel Blinder, Gallows Hook, Overthrower, Pusher, Hat-Wearer, Supreme, Raven God, Raven, Chain Loosener, Ravager, Roarer, The Wise, Horsehair Mustache, Courage of the Grinder, Roarer or Opposer, Glorious Ruler, Even-High, Yule Figure, The Mighty, Keel, Feeder, Long Beard, Hairy Cloak Wearer, Descendant of Borr, User, Enjoyer or Needed One, Resonating, God of Wishes, The Desired, Red Mustache, Wagon God or God of Riders, Ruler, God of Runes, Mover of Constellations, Truthful, Finder of Truth, Long Beard, Broad Hat, Victory Giver, Father of Victory, Victory Geat, Protection of Victory, Writer of Victory.
Odin in the Indo-European Context
*The Supreme God (Dyḗus ph₂tḗr)
The Germanic people descend from the Proto-Indo-European steppe herders who migrated from the Pontic steppes to Europe around 3000 BCE. Because of this shared origin, the Germanic people share linguistic and cultural features with other Proto-Indo-European peoples, such as the Romans, Celts, Slavs, Indo-Iranians, and Vedics.
We know a significant amount about these Proto-Indo-Europeans through archaeology, comparative linguistics, and comparative religious studies. Their society was hierarchical and oath-bound, and their religion centered on preserving cosmic order.
The name of the supreme god of the Indo-European peoples can generally be traced back to the reconstructed Indo-European god *Dyḗus ph₂tḗr (the Sky Father). Examples include the Greek god Zeus (Zeus Patēr), the Roman Jupiter (from Diespiter, Dijēs-patēr), and the Celtic god Dagda (Dagdae Oll-athair, from Proto-Celtic dago-dēwos ollo fātir, "great father or good god").
If we follow this reasoning for the Germanic and Viking people, we arrive at the Germanic god Tiwaz (tīwaz) and the Viking god Týr. However, as described above, it is clear that Odin became the supreme god. At some point in Germanic history, the gods within the pantheon shifted in rank, but when exactly this occurred remains uncertain.
The Name of Odin
The Old Norse name Óðinn is related to Old High German Wodan and Old English Wōden. This is derived from the Proto-Germanic Wōdanaz, which itself comes from Proto-Germanic wōdaz ("rage, manic inspiration, furor poeticus") and ultimately from the Proto-Indo-European root weh₂t- ("to be excited").
The name is connected to the Old Norse óðr ("rage"), the Dutch woede ("rage"), the Irish fáidh, and the Latin vātēs.
Odin’s attributes overlap (in part) with the Vedic storm god Rudra, the Vedic god of destruction and time Shiva, the Vedic storm god Varuna, and the Roman war god Mars. Wodan was likely an early Germanic war god, initially associated with the Wild Hunt, death, and rage. It was only later that he was elevated to the status of supreme god.
Odin as Manu in the Creation Myth
One of Odin’s nicknames is Alfǫðr, translated as Allfather or Father of All. According to Jackson Crawford, this is a misinterpretation. Fǫðr likely derives from the Proto-West Germanic word fadōn, which means something like "to bring into structure."
This interpretation as "Maintainer of All Order" makes more sense than "Father of All." After all, Odin was not the first god and did not create humanity. However, he maintained cosmic order and balance in society. Odin governed the victors, fallen warriors, the dead, and the various oath-bound classes that defined Germanic and Viking societies.
When we consider the Indo-European creation myth, we can place him as the enforcer of order.
In the beginning, Manu and Yemo, accompanied by a great cosmic cow, existed. To create the world, Manu had to make a sacrifice: he had to kill his own brother, Yemo. With the help of the Sky Father (the supreme god: Dyēus ph₂tḗr), Yemo’s sacrificed body was transformed. From his parts emerged the foundations of the world: the wind, the moon, the sea, and the different classes of humanity (aristocracy, warrior class, working class/herders).
Manu became the first priest and established the sacrificial ritual, which maintained cosmic order and harmony. The ritual linked the world of humans to that of the gods through reciprocity.
The Viking creation story has its roots in this Indo-European myth. In the beginning, there was nothing, Ginnungagap. Odin (Manu) kills Ymir (Yemo), and from his body, the heavens and earth are created.
Odin, therefore, as Manu, is the enforcer of cosmic order. He is involved in the creation of humans, the establishment of classes, and serves as the ancestor of the first kings. He teaches humans how to sacrifice so they can restore cosmic order. By maintaining cosmic order, Odin prevents humanity from succumbing to Ragnarok.
Odin is not the equivalent of the Sky Father (Dyḗus ph₂tḗr) but of Manu. As a supreme god, he does not fit into the classical Indo-European pantheon with Dyḗus ph₂tḗr at the head.
How Odin became the supreme god remains unclear, but it is logical to infer. Manu showed humans how to strive for cosmic order.
Over time, following Manu, who instructed how humans should worship the gods, evolved into worshiping Manu himself.
The Indo-European Divine Triad
The French mythologist Georges Dumézil has been highly influential in the study of Indo-European culture and mythology. He proposed that Indo-European culture was divided into three classes: the ruling class consisting of kings and priests, the warrior class, and the farmer class.
According to Dumézil, Odin represented the ruling class, as the god of magic, fury, law, and order. His aristocratic followers, like him, bore the hereditary task of preventing total chaos (Ragnarök).
Týr, in this context, seems more aligned with the warrior class, as a brave and victorious fighter and a symbol of law and justice.
The Vanir, such as Freyja and Freyr, would represent the third class, associated with fertility and prosperity. It is likely that the Vanir were the original, Neolithic gods of Scandinavia, linked to agriculture and fertility. The Æsir, including Odin, Thor, and Týr, had a Proto-Indo-European origin.
Odin in Archaeology
Odin and Wodan are extensively visible in archaeological finds. He is often depicted with his characteristic symbols, such as his ravens Huginn and Muninn, his eight-legged horse Sleipnir, and occasionally the valknut.
These depictions provide insights into his traits and role in mythology, as well as the development of Germanic culture, sometimes on a regional level.
There are so many symbols associated with Odin that we have written several blogs on these individual symbols and their role in the Odinistic cult.
This blog, however, is focused on Wodan/Odin himself and his representation in symbolism and archaeological artifacts.
Ragnarök
Artifacts such as the Thorwald Cross (on the Isle of Man) and the Ledberg Stone (Gotland, Sweden) depict Odin in his battle against Fenrir during Ragnarök. The presence of birds such as Huginn or Muninn in these scenes reinforces the Odinic association.
Royal and Ritual Power
The Odin figurine from Lejre and the helmet plates from the Vendel period suggest an association with royal power and related rituals. The throne, flanking animal heads, and ravens indicate an authoritative role within the mythological and ritualistic sphere.
Depictions of Odin
In the intricate knot and spiral motifs of Viking art styles, a bearded man is frequently depicted. It is likely that this figure represents Odin and that, in this way, the object may have been imbued with a ‘soul.’
It is known that weapons, such as spears and swords, were often named after Odin by their owners to imbue the weapons with power. This was sometimes emphasized by inscribing them with runes.
The Horned Spear Dancer (Odinistic Ritual)
The symbolism of the horned spear dancer is depicted on jewelry, belt fittings, and helmet plates from the Vendel period. This imagery references the Odinistic warrior cult and can be associated with leadership and the aristocracy.
See this blog.
Huginn and Muninn (Ravens)
The ravens of Odin/Wodan are the most well-known and frequently depicted symbols associated with this god. These images appear on belt fittings, runestones, and numerous brooches, often worn in pairs.
Sleipnir (Eight-Legged Horse)
Odin's horse, Sleipnir, is often depicted either directly or indirectly in Germanic and Viking art. As a magical horse, Sleipnir played an important role in the ancient horse-worship tradition, which originated in the Proto-Indo-European Steppe culture thousands of years ago.
Geri and Freki (Wolves)
Odin is accompanied by two wolves, Geri and Freki. They may symbolize the wolf warriors of the ulfhednar. The ulfhednar and the berserkers (bear warriors) were followers of Odin, members of warbands originally drawn from the aristocratic class. This tradition of warbands can be traced back to the koryos, an Indo-European warrior band thousands of years old. The wolf was a central symbol for many of these koryos bands.
A Proto-Indo-European tradition spanning millennia, the ulfhednar and the berserkers are Odin's followers. Consequently, wolves are frequently depicted on Germanic and Viking jewelry and other artistic expressions.
Valknut
The well-known Odin's Knot possibly represents a mental or oath-bound connection to this god. The Valknut appears in artistic works such as the Oseberg tapestry and on Rune stones.
The Wild Hunt
Wodan is also indirectly depicted through representations of the Wild Hunt. As its leader, he stands at the center of the Wild Hunt. It is possible that the Wild Hunt has a Proto-Indo-European origin.
Wodan's Symbolism in the 'Sinterklaas Celebration'
As the leader of the Wild Hunt, Wodan is also central to the origins of the Sinterklaas celebration. There are numerous parallels between Sinterklaas and Wodan, linking the Sinterklaas tradition to Proto-Indo-European practices that predate Wodan himself.
Odin's Symbolism During Yule
Wodan/Odin plays a central role in the Yule celebration. Yule-related artworks often contain underlying Odinistic symbolism.
Runes
Odin is the master of the runes, and much of the symbolic meaning surrounding the runic script is connected to him. Beyond the practical use of runes as a writing system, individual runes also emphasize their magical symbolism.
See this blog.
Conclusion
Odin/Wodan was, at least from the 1st century CE onward, the most important god in the Germanic pantheon.
Manu is the creator of the earth and humanity and the progenitor of kings. He teaches humans how to make offerings, allowing them to restore and maintain cosmic order. In this role, he serves as the guardian of cosmic balance.
His role as the god of death and leader of the Wild Hunt expresses his warrior fury. With his army of the dead, he roams during the winter to restore cosmic order, enabling the return of light during Yule or the winter solstice and bringing fertility back to the earth.
He is the war god of the ruling class, followed by the ulfhednar and the berserkers. Just as he safeguards cosmic order, the aristocracy maintains order within society.
Odin is not a violence-glorifying anarchist. Rather, he preserves the cosmic order and teaches us the necessity of self-sacrifice to achieve this. He obligates his followers to uphold this structure and fulfill their promises of performance. He keeps the oath-bound society in balance by ensuring that the different classes honor their mutual obligations.
Jewelry depicting Odin or Wodan
https://www.celticwebmerchant.com/en/ribe-odin-amulet-bronze.html
https://www.celticwebmerchant.com/en/viking-mask-amulet-gotland.html
https://www.celticwebmerchant.com/en/gnezdovo-viking-amulet-silvered.html
https://www.celticwebmerchant.com/en/viking-bracteate-replica.html
https://www.celticwebmerchant.com/en/turtle-brooch-british-museum.html
https://www.celticwebmerchant.com/en/odin-pendant.html
https://www.celticwebmerchant.com/en/viking-brooch-birka-grave-1080.html
https://www.celticwebmerchant.com/en/anglo-saxon-fibula-isle-of-wight.html
https://www.celticwebmerchant.com/en/gnezdovo-viking-amulet-bronze.html
https://www.celticwebmerchant.com/en/anglo-saxon-fibula-isle-of-wight-silvered.html
https://www.celticwebmerchant.com/en/odin-jewel-lejre.html
https://www.celticwebmerchant.com/en/viking-mask-jewel-moesgard-bronze.html
https://www.celticwebmerchant.com/en/bronze-viking-pendant-odin-on-sleipnir.html
https://www.celticwebmerchant.com/en/viking-pendant-sleipnir-and-odin.html
https://www.celticwebmerchant.com/en/viking-brooch-birka-grave-1080-silvered.html
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https://www.celticwebmerchant.com/en/10th-century-viking-fibula-hom.html
Jewelry depicting aristocrats – priest or warrior class in the Odinistic cult
https://www.celticwebmerchant.com/en/odin-amulet-uppland-bronze.html
https://www.celticwebmerchant.com/en/jewel-vendel-warrior.html
https://www.celticwebmerchant.com/en/jewel-vendel-warrior-silvered.html
https://www.celticwebmerchant.com/en/odin-amulet-uppland-silvered.html
https://www.celticwebmerchant.com/en/pendant-odin.html
https://www.celticwebmerchant.com/en/godstad-horseman-amulet-bronze.html
Helmets depicting Wodan – Odin and the Odinistic cult
https://www.celticwebmerchant.com/en/sutton-hoo-helmet.html
https://www.celticwebmerchant.com/en/valsgaerde-8-viking-helmet.html
Drinking horns depicting Odin
https://www.celticwebmerchant.com/en/asatru-drinking-horn.html
https://www.celticwebmerchant.com/en/drinking-horn-odin-with-sleipnir.html
https://www.celticwebmerchant.com/en/horn-cup-odin-with-sleipnir.html
Wood carvings depicting Odin
https://www.celticwebmerchant.com/en/rune-odin.html
Buckles & belt fittings depicting Odin
https://www.celticwebmerchant.com/en/viking-belt-buckle-and-belt-end-odin.html
https://www.celticwebmerchant.com/en/viking-buckle-birka.html
https://www.celticwebmerchant.com/en/viking-buckle-birka-silvered.html
https://www.celticwebmerchant.com/en/viking-buckle.html
https://www.celticwebmerchant.com/en/anglo-scandinavian-belt-end-silvered.html
https://www.celticwebmerchant.com/en/jorvik-belt-end.html
https://www.celticwebmerchant.com/en/borre-jellinge-style-buckle-gripping-beast-silvere.html
https://www.celticwebmerchant.com/en/borre-jellinge-style-buckle-gripping-beast.html
https://www.celticwebmerchant.com/en/borre-jellinge-style-buckle-gripping-beast-silvere.html
Utensils with depictions of Odin
https://www.celticwebmerchant.com/en/birka-viking-ear-spoon-grave-660.html
https://www.celticwebmerchant.com/en/birka-viking-ear-spoon-grave-660.html
Belts depicting Odin
https://www.celticwebmerchant.com/en/viking-belt-jellinge-style.html
https://www.celticwebmerchant.com/en/belt-borre-style-deluxe-black.html
https://www.celticwebmerchant.com/en/borre-viking-belt-black-bronze.html
https://www.celticwebmerchant.com/en/birka-belt-deluxe.html
https://www.celticwebmerchant.com/en/birka-belt-deluxe-brown-silvered.html
https://www.celticwebmerchant.com/en/birka-belt-brown-silvered.html
https://www.celticwebmerchant.com/en/birka-belt.html
https://www.celticwebmerchant.com/en/birka-belt-deluxe-black-brass.html
https://www.celticwebmerchant.com/en/birka-belt-black-silvered.html
https://www.celticwebmerchant.com/en/birka-belt-black-brass.html
https://www.celticwebmerchant.com/en/birka-belt-deluxe-black-silvered.html
https://www.celticwebmerchant.com/en/borre-viking-belt.html
Swords and scabbard fittings depicting Odin
https://www.celticwebmerchant.com/en/deepeeka-chape-voor-scabbard-viking-sword.html
https://www.celticwebmerchant.com/en/vestre-berg-viking-sword-10th-century.html
https://www.celticwebmerchant.com/en/10th-century-viking-sword-battle-ready.html
https://www.celticwebmerchant.com/en/deepeeka-late-viking-sword-oakeshott-type-x.html
https://www.celticwebmerchant.com/en/viking-sword-king-harald-with-deluxe-scabbard-and.html
https://www.celticwebmerchant.com/en/deepeeka-viking-sword-eric-battle-ready.html
https://www.celticwebmerchant.com/en/10th-century-viking-sword.html
https://www.celticwebmerchant.com/en/ulfberth-viking-sword-chertsey.html
https://www.celticwebmerchant.com/en/deepeeka-late-viking-sword-oakeshott-type-x-battle.html
https://www.celticwebmerchant.com/en/deepeeka-viking-sword-eric.html
https://www.celticwebmerchant.com/en/deepeeka-viking-sword-petersen-type-d.html
https://www.celticwebmerchant.com/en/9th-century-viking-sword-haithabu-semi-sharp.html
https://www.celticwebmerchant.com/en/small-norse-viking-seax-with-decorated-bone-grip.html